Sitzung

Audiobooks and AI

07
18.11.2025, 14:00

Präsentationsmaterialien

Es gibt derzeit keine Materialien.

  1. Dr. Annika Ahrens-Schwabe (Department of Cognition, Emotion, and Methods in Psychology, University of Vienna), Dr. Lukas Kosch (Institut für Germanistik, Universität Wien)
    18.11.25, 14:00
    15-minute research paper

    ABSTRACT

    Since 2024, the advent of high-quality AI-generated voices – driven by advances in speech synthesis technologies – has sparked widespread public discourse in German newspapers and feuilletons. The potential integration of artificial voices into the audiobook market raises fundamental questions concerning listener perception, notions of authenticity, and the broader cultural...

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  2. Karl Berglund (Uppsala University), Sarah Hedman-Dybeck (Uppsala University)
    18.11.25, 14:20
    15-minute research paper

    The audiobook boom has created a new profession: the audiobook performing narrator, with its own forms of popularity and prestige tied to it. There are prizes awarded for best audiobook narration, and publishers are currently standing in line for the narration stars whose voices large groups of readers appreciate.

    The rapid technological development is however about to cause the next...

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  3. Aline Zara (University of Toronto)
    18.11.25, 14:40
    15-minute research paper

    Responding to the rise of synthetic narration in audiobooks, I founded the publishing house nAIrrative Press in 2023: a publisher of AI-written and AI-narrated audiobooks (nairrativepress.com). In this presentation and article, I trace the changing Canadian landscape of AI-narrated audiobooks and its (im)possibilities through the example nAIrrative Press. As a research-creation project,...

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  4. David Sheinberg
    18.11.25, 15:00
    15-minute research paper

    When painstakingly pondering the prevailing problematics, perpetuating polemics, and persistently perplexing potentials pertaining to prototypical phenomenon of AI—which seems to have purportedly permeated the very core of the Artworld at large—it could plainly be postulated that one is presently posed with something of a perfidiously potent and perturbing predicament. In place of either...

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