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Brigid Magner (RMIT University), Dr. Linda Daley (RMIT)17.11.25, 10:3015-minute research paper
Why is it that some audiobook narrators' voices work to pull the listener-reader in, while others repel or leave us cold? Voice vibrates through the teller and these vibrations are powerfully felt by the attentive, attuned listener.
As literary studies teachers based in Melbourne/Naarm, we predict that audiobooks will be routinely used for teaching and learning purposes in future....
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Patricia Frazis (Australian National University)17.11.25, 10:5015-minute research paper
Regardless of the increasing prevalence of audiobooks in literary culture, many traditional literary scholars appear reluctant to embrace the form. Even within the discipline of digital literary studies, the digital audiobook is often excluded in favour of screen-based visual texts (Murray, 2018; Grigar and O’Sullivan, 2021) despite theoretical resonances between the disciplines, such as the...
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Dikko Yusuf (University of Leeds)17.11.25, 11:1015-minute research paper
Audiobooks have grown in popularity over the past few decades, but this popularity is limited to recreational listenership with little interest from academic scholarship. This gap is especially noticeable in the study of African audiobooks.This paper recognises the exciting possibilities that audiobooks present as a site of critical interrogation and a medium of representing identity through...
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